Hiroshi Sugimoto, Time Exposed: #330 Tasman Sea, Ngarupup, 1990
Art advisor Teriha Yaegashi discusses Hiroshi Sugimoto’s Seascape works, explaining just what it is that makes them so collectible.

Hiroshi Sugimoto, Time Exposed: #330 Tasman Sea, Ngarupup, 1990

Art advisor Teriha Yaegashi discusses Hiroshi Sugimoto’s Seascape works, explaining just what it is that makes them so collectible.

  1. fotocev reblogged this from paddle8
  2. stellabel reblogged this from nobodysdiary
  3. rosmyers reblogged this from cartonsofmilk2
  4. cartonsofmilk2 reblogged this from c0mpasss
  5. theskatekey reblogged this from nobodysdiary
  6. myburial reblogged this from nobodysdiary
  7. tokyochaos reblogged this from nobodysdiary
  8. c0mpasss reblogged this from paddle8
  9. theflightofthephoenix reblogged this from paddle8
  10. heiseqiuxie reblogged this from nobodysdiary
  11. brunchatmilliways reblogged this from nobodysdiary
  12. laurendoesresearch reblogged this from nobodysdiary and added:
    Hiroshi Sugimoto, Time Exposed: #330 Tasman Sea, Ngarupup, 1990
  13. dunlinhome reblogged this from paddle8
  14. dieusestunfumeurdhavane reblogged this from nobodysdiary
  15. dergeisteinesknabben reblogged this from nobodysdiary
  16. pezenbicicleta reblogged this from nobodysdiary
  17. oknutmeg reblogged this from nobodysdiary
  18. spvcetiger reblogged this from nobodysdiary
  19. lucidasmud reblogged this from paddle8
  20. c-e-s-t-l-a-v-i-e reblogged this from nobodysdiary